Packaging Workflows:
Spot Color Printing
Creo’s “Spotless” Technology Yields
Spot-Color Look from Process Builds
Spot colors” are premixed inks that designers often specify
to reproduce colors beyond the ones that can be obtained from the
four basic process inks C, M, Y, and K. Bright, smooth spot colors
enable package designers to protect and control their colors, helping
their packages to move the product and promote the brand. Using
spot colors comes at a cost, however. The complexity and expense
that they add to packaging can translate to higher prices or thinner
margins on products.
Creo claims that its new Spotless printing technology is poised
to change the way designers, buyers, and printers think about spot
colors. Spotless printing, according to Creo, makes spot ink replacement
practical and reliable for the first time.
Because Spotless printing represents spot colors with process
color builds, says Creo, difficulties associated with traditional
spot inks are reduced. As the company that pioneered Staccato,
the first production-ready stochastic screen, Creo believes Spotless
printing can take the advantages of stochastic to the next level.
Silencing the “noise”
A stochastic screen, according to Creo, can provide very smooth
tint builds with no rosettes, crosshatch patterns, or other visual “noise” that
is a traditional problem with most other screens. Staccato also resists grey
balance and tonal fluctuations from misregistration and density shifts. This
means that process builds behave like spot colors—they have the stability
and the even look of a pre-mixed ink.
Creo says that Staccato lets designers and printers use color
builds to replace spot color inks with more confidence and accuracy
than ever before. Because spot colors are automatically converted
to process colors, designers can specify dozens of spot colors
in a single file, thereby increasing the impact of their printed
materials.
Staccato screening and the SQUAREspot® thermal imaging heads on Creo’s
various computer-to-plate devices enable the use of Spotless printing solutions.
With Spotless printing, the spot replacement “recipes” are based
on actual press conditions (press, paper, ink, etc.). Similarly, proofing becomes
easier and more accurate. Even remote desktop proofers can be used with Spotless,
says Creo, opening new opportunities for collaboration.
CMYK and beyond
Two Spotless packages are in the works for release this summer.
The first, Spotless 4, creates and stores spot color recipes to
achieve spot colors with process builds in the standard CMYK printing
environment.
The other product, Spotless X, enables the use of additional
process colors such as red, orange, green, or blue to expand the
available color gamut. Spotless X, says Creo, will typically be
used in the traditional domain of spot colors: vector art. It also
can be used with photographic images to increase realism or to
provide “candy floss” colors for added impact and shelf appeal.
Creo says Spotless is unique in that its ink set is very flexible: any extended
colors can be selected. Creo adds that Spotless makes it possible to use
a particular brand color as a process color in order to preserve its integrity,
while also using it in spot color recipes.
Creo notes that Spotless can help printers that already use a
six-color replacement technology, such as Pantone Hexachrome. Spotless
is said to make these solutions easier to use by pulling their
databases into a composite workflow for efficient color management,
trapping, and proofing, thus making any spot color replacement
tool more useful and reliable than traditional separated workflow
solutions.
These advantages, say Creo, mean that Spotless printing can enable
designers and printers to
accomplish more for less in terms of good color
reproduction.
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