Spotlight: Resource
Number One Book on The New York Times Best-Seller List Taps Packaging Experts
Blink,
the best-selling non-fiction book by Malcolm Gladwell, drifts from topic to topic
trying to weave a story of how we humans process the world we perceive. Gladwell
turns to package design right in the middle of the book, in a chapter titled "Kenna's
Dilemma: The Right -- and Wrong -- Way to Ask People What They Want". An excerpt
is reprinted here courtesy of Time Warner Book Group.
Then there's the issue of what is called sensation transference. This is a
concept coined by one of the great figures in twentieth-century marketing, a man
named Louis Cheskin, who was born in Ukraine at the turn of the century and immigrated
to the United States as a child. Cheskin was convinced that when people give an assessment
of something they might buy in a supermarket or a department store, without realizing
it, they transfer sensations or impressions that they have about the packaging of
the product to the product itself. To put it another way, Cheskin believed that most
of us don't make a distinction - on an unconscious level - between the package and
the product. The product is the package and the product combined.
One of the projects Cheskin worked on was margarine. In the late 1940s, margarine
was not very popular. Consumers had no interest in either eating it or buying it.
But Cheskin was curious. Why didn't people like margarine? Was their problem with
margarine intrinsic to the food itself? Or was it a problem with the associations
people had with margarine? He decided to find out. In that era, margarine was white.
Cheskin colored it yellow so that it would look like butter. Then he staged a series
of luncheons with homemakers. Because he wanted to catch people unawares, he didn't
call the luncheons margarine-testing luncheons. He merely invited a group of women
to an event. "My bet is that all the women wore little white gloves," says Davis
Masten, who today is one of the principals in the consulting firm Cheskin founded. "[Cheskin]
brought in speakers and served food, and there were little pats of butter for some
and little pats of margarine for others. The margarine was yellow. In the context
of it, they didn't let people know there was a difference. Afterwards, everyone was
asked to rate the speakers and the food, and it ended up that people thought the
'butter' was just fine. Market research had said there was no future for margarine.
Louis said, 'Let's go at this more indirectly.'
Now the question of how to increase sales of margarine was much clearer. Cheskin
told his client to call their product Imperial Margarine, so they could put an impressive-looking
crown on the package. As he had learned at the luncheon, the color was critical:
he told them the margarine had to be yellow. Then he told them to wrap it in foil,
because in those days foil was associated with high quality. And sure enough, if
they gave someone two identical pieces of bread - one buttered with white margarine
and the other buttered with foil-wrapped yellow Imperial Margarine - the second piece
of bread won hands-down in taste tests every time. "You never ask anyone, 'Do you
want foil or not?' because the answer is always going to be 'I don't' know' or 'Why
would I?'" says Masten. "You just ask them which tastes better, and by that indirect
method you get a picture of what their true motivations are." |
From the book BLINK (c) 2005 by Malcolm Gladwell. Excerpted by permission of
Little, Brown and Company.
BLINK
by Malcolm Gladwell
Available where books are sold.
Hardcover; 288 pages
Little, Brown; January, 2005
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